Ballet Icons 20th Anniversary Gala
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.
A concert that mixed dance and music, the latter a little more to the fore… a largely successful and enjoyable programme.
A terrific evening. It was also one that probably contained more chances to see fouttées than most in the audience get in a year. No one disappointed.
“A page-turningly good read” as “Fullington and Smith… invite the general and specialist reader alike to rethink nineteenth-century ballet.”
A programme designed to show “What we are, who we are, and to give a taste of what we do.” A fine evening of high-quality dancing
New and unfamiliar works rub shoulders with old favourites, with Sergio Bernal’s The Thinker the unexpected highlight of a super evening
Proximity was highlight of the second half. Choreographed and performed by Pett|Clausen-Knight, it is a mature, sophisticated duet
José Martínez has given the ballet a make-over. With the important dance intact but the libretto trimmed, it is destined to become a new favourite.
Danced to piano and string compositions by Valentin Silvestrov, and traditional folk music, it’s a picture of the people behind the headlines
Fifteen pieces, from familiar showpiece pas de deux to less well-known duets and solos… A celebratory showcase for all that is great about dance.
The annual night out at Symphony Hall returned in style with a gala-like programme of orchestral and dance selections.