An evening of many colours: Badisches Staatsballett’s International Benefit Gala
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
The varied programme of mostly excerpts from longer pieces delighted the enthusiastic audience on a summery Sunday evening
This performance of Patrice Bart’s Giselle was special in that it saw Ksenia Ovsyanick dance the lead role for the last time
The bored middle-class housewife is raised to literary heights by the novel’s rich romantic language and Spuck follows suit in high choreographic art
Onegin… thoughtful, restless, troubled, austere. A sense of deep solitude and… incapacity to open up emotionally accompanies him throughout
“…Rich in aesthetic charm and delicate beauty… abounds in dramatic moments… absorbs and leads to wonder.”
She will take over as new Ballet Director and Chief Choreographer for an initial period of two years, starting from the 2023-24 season
Three shorts by Arshak Ghalumyan and Ross Martinson; Swan Lake and Nutcracker pas de deux
Communal struggle and support