John Cranko: in Memoriam
A look at ‘John Cranko: Tanzvisionär’ a new book of interviews with people associated with Cranko; and the 2nd edition of Ashley Killar’s biography
A look at ‘John Cranko: Tanzvisionär’ a new book of interviews with people associated with Cranko; and the 2nd edition of Ashley Killar’s biography
Martí Fernández Paixà is a superb Onegin, perhaps ballet’s ultimate romantic villain. He fills the stage, even when just standing in the background
A beautiful double bill of John Cranko’s Initials R.B.M.E. and Requiem by his great friend Kenneth MacMillan. It was an evening to savour.
The pas de deux are wonderful. They are not steamy but, typically Cranko, they are very human… balletic but without the formality
Onegin… thoughtful, restless, troubled, austere. A sense of deep solitude and… incapacity to open up emotionally accompanies him throughout
An excellent production, including the wonderful Stephen Heathcote as Lord Capulet.
A fine programme that reflected well the dancers’ classical training, and the School and Stuttgart Ballet heritage
Everything is straight out of the top drawer in the first of two programmes from the festival held in Tokyo in August 2021
The first purpose designed and built ballet school in Germany
A new mixed programme in July in the Opera House, with an audience