John Cranko: in Memoriam
A look at ‘John Cranko: Tanzvisionär’ a new book of interviews with people associated with Cranko; and the 2nd edition of Ashley Killar’s biography
John Cranko
The finest of all narrative ballets? Stuttgart Ballet in John Cranko’s Onegin
Martí Fernández Paixà is a superb Onegin, perhaps ballet’s ultimate romantic villain. He fills the stage, even when just standing in the background
Stuttgart Ballet: Remember Me
A beautiful double bill of John Cranko’s Initials R.B.M.E. and Requiem by his great friend Kenneth MacMillan. It was an evening to savour.
Stuttgart Ballet: The Taming of the Shrew
The pas de deux are wonderful. They are not steamy but, typically Cranko, they are very human… balletic but without the formality
Staatsballett Berlin: Onegin
Onegin… thoughtful, restless, troubled, austere. A sense of deep solitude and… incapacity to open up emotionally accompanies him throughout
The Australian Ballet: Cranko’s Romeo and Juliet
An excellent production, including the wonderful Stephen Heathcote as Lord Capulet.
A glimpse into a very bright future: John Cranko School ‘Ballet Matinee’
A fine programme that reflected well the dancers’ classical training, and the School and Stuttgart Ballet heritage
The 16th World Ballet Festival on demand
Everything is straight out of the top drawer in the first of two programmes from the festival held in Tokyo in August 2021
New John Cranko School opens in Stuttgart
The first purpose designed and built ballet school in Germany
Stuttgart Ballet and Gauthier Dance announce plans as live dance returns to the city
A new mixed programme in July in the Opera House, with an audience