A beautiful confession: Alessandro Marzotto Levy’s Irene
Dedicated to a dear departed friend, the work developed out of the loss and dismay he went through after her death
Dedicated to a dear departed friend, the work developed out of the loss and dismay he went through after her death
A participatory family-friendly piece where the spectators became protagonists themselves, each performance thus being unique.
In ‘The Romeo’, Trajal Harrell combines voguing with bizarre and fascinating outfits in choreography full of fluid, wavy, undulating movement
It was good to witness some excellent dancing and well-thought choreographies.
Onegin… thoughtful, restless, troubled, austere. A sense of deep solitude and… incapacity to open up emotionally accompanies him throughout
Soft touches ignite new phrases as the dancers look at each other, vigilant of every single movement.
“…Rich in aesthetic charm and delicate beauty… abounds in dramatic moments… absorbs and leads to wonder.”
Carcaça by Marco Da Silva Ferreira; Las cosas se mueven per no dice nada by Poliana Lima; Above by Gaston Core; Crowd by Gisèle Vienne
While it maybe addressed to children and teenagers, it is also has much for adults, being a dance journey about what and where is home
A programme of live performances, film, talks and an exhibition featuring the work of the American choreographer.
A work of excesses, absurdities and exuberance that delves into the need we all have at times to create alternative identities