Royal Swedish Ballet in Mats Ek’s Juliet & Romeo
Kaho Yanagisawa gave Juliet youth and spontaneity, quickly maturing into a determined woman wanting to choose her life partner and follow her heart
Kaho Yanagisawa gave Juliet youth and spontaneity, quickly maturing into a determined woman wanting to choose her life partner and follow her heart
Schonbrun delivered on all counts with beautifully placed feet, crystalline classical positions and a finely drawn reading of a complex, wilful Juliet.
José Martínez has given the ballet a make-over. With the important dance intact but the libretto trimmed, it is destined to become a new favourite.
Opera House, StockholmMay 26, 2023 Kenneth MacMillan’s Manon created in 1974, continues to weave its magic providing a slew of dramatic roles against a volatile and violent backdrop. The Royal Swedish Ballet, founded in 1773 and celebrating its 250th anniversary this year, first presented the ballet in 1980. It makes a welcome return. The central … Read more
Two of Jerome Robbins’ most popular ballets and one of Balanchine’s most enjoyable. What’s not to like?
A feast of dance, music and colourful costumes with the added bonus of Madeleine Woo and Dmitry Zagrebin in the roles of Kitri and Basilio
The new storyline works well for this shorter version of under two hours but Rojo tries to fit in far too much at the expense of phrasing and structure
Forsythe’s In the Middle, Somewhat Elevated is a show stopper; choreography and music converging on the cusp of tradition redefining the arts
This unique commingling of poetry, opera by Philip Glass and and circus has created something quite magical
Joseph Sturdy talks about training, his career, injury, choreography, and his new work for the Royal Swedish Ballet, Sonatra