Robbins/Balanchine from the Royal Swedish Ballet
Two of Jerome Robbins’ most popular ballets and one of Balanchine’s most enjoyable. What’s not to like?
Royal Swedish Ballet
Colour and energy: The Royal Swedish Ballet in Don Quixote
A feast of dance, music and colourful costumes with the added bonus of Madeleine Woo and Dmitry Zagrebin in the roles of Kitri and Basilio
The Royal Swedish Ballet in Tamara Rojo’s Cinderella
The new storyline works well for this shorter version of under two hours but Rojo tries to fit in far too much at the expense of phrasing and structure
Kylián, Ek and Forsythe at the Royal Swedish Ballet
Forsythe’s In the Middle, Somewhat Elevated is a show stopper; choreography and music converging on the cusp of tradition redefining the arts
A conversation with Sweden-based, British choreographer Joseph Sturdy
Joseph Sturdy talks about training, his career, injury, choreography, and his new work for the Royal Swedish Ballet, Sonatra
Prelocaj, Balanchine and Béjart in the Royal Swedish Ballet and Opera’s Stravinsky triple-bill
A thrilling evening on all counts
Bringing Franz Kafka to the stage: Royal Swedish Ballet in The Trial
As much about the life of Kafka as the book itself
Classical ballet and much more, all with a wide-eyed sense of fun: Alexander Ekman’s Escapist
Quite the best thing since sliced bread!
Elegant precision in Suite en Blanc: Dancing|Forward by the Royal Swedish Ballet
Unadorned technical precision
Kylián’s Wings of Wax soars in Trinity by the Royal Swedish Ballet
Eloquent duets in choreography of shifting emotions