Marianela Nuñez’s Giselle debut at the Paris Opera Ballet: a postscript
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
There are shows, and there are events… Royal Ballet principal Marianela Nuñez’ debut with the Paris Opera Ballet was an event with a capital ‘E’
Ines McIntosh carried the performance… She never faltered, blending French elegance with something rarer on the Parisian stage: fire
A short evening with plenty of variety, as ten choreographers, mostly still dancers themselves, were given the space to experiment.
Hortense Millet-Maurin, a tiny spitfire of a dancer who has a deft touch with comedy and big eloquent eyes, was a witty Lise.
Fifteen pieces, from familiar showpiece pas de deux to less well-known duets and solos… A celebratory showcase for all that is great about dance.
Mayerling in London and Paris. “Muntagirov is a rare Rudolph, one whose decline is as agonizingly real as it is exquisitely danced.”
Gsovsky, Robbins and Forsythe
A contemporary triple-bill at the Palais Garnier
Gilbert’s Odette is a masterful blend of authority and vulnerability
New choreography and old classics meet in a new venture