A box of delights: New Works at The Royal Ballet
There is much to like, not least that all have an overt classical core… A big hurrah too for the fact that three of the pieces feature pointework…
There is much to like, not least that all have an overt classical core… A big hurrah too for the fact that three of the pieces feature pointework…
The 2024-25 season also includes a new work by William Forysythe as part of a Forsythe evening, and both the company’s Giselles.
Goddard describes Frankenstein as an episodic work, “A series of romantic era tableaux, inside of which I can kind of operate as The Monster.”
In Un-form, all three dancers are quite compelling, their dance amazingly detailed, superbly performed and clearly with great personal meaning
All three pieces call for a great deal of ensemble work, executed with such control and precision that at times they seemed to be come a single entity.
For the second in our occasional series, the Birmingham Royal Ballet principal dancer chooses his seven works that have particular significance, saying a few words about each. Born in Yilan in the north-east of Taiwan, Tzu-chao Chou (周子超) was very active as a child. When he was nine, his parents thought that dance lessons would … Read more
The fabulous cast are on a par with any West End musical as they give everything, dancing and projecting character for all they are worth
A season of new commissions and the revival of the iconic and popular Romeo & Juliet, A Christmas Carol and Jane Eyre.
Premiering in Birmingham (October 3-5, 2024) before moving to Sadler’s Wells (October 22-23), Luna is a two-act abstract ballet in six movements
The circus work is skilful. Joshua Fraser’s use of a cyr wheel to symbolise Alec’s immorality and avarice is effective and very well executed
La Strada really lights up when Kobborg and Cojocaru come together. She doesn’t just smile her way through their duet, she radiates happiness