Teaċ Daṁsa in Michael Keegan-Dolan’s MÁM
It’s a gathering. At times, it has the joy of a ceilidh, but it also has a dark, mysterious edge, and is often quite disconcerting.
It’s a gathering. At times, it has the joy of a ceilidh, but it also has a dark, mysterious edge, and is often quite disconcerting.
This February and March, Michael Keegan-Dolan’s MÁM tours to nine venues. David Mead talks to the choreographer to talk about the work
Crystal Pite’s Frontier takes the audience on a fabulous thirty-minute journey to a place somewhere between conscious and unconscious
All three pieces call for a great deal of ensemble work, executed with such control and precision that at times they seemed to be come a single entity.