Carlos Acosta announces Nutcracker in Havana
A show that will, in his own words, have the “colour, feel and vibrancy of Havana with the tradition and beauty of The Nutcracker.”
A show that will, in his own words, have the “colour, feel and vibrancy of Havana with the tradition and beauty of The Nutcracker.”
Ballet national de Marseille are rooted in rebellion. They are identifiable by the personal risks taken by the dancers, and by (LA) HORDE’s direction
La Bayadère is a fairytale, which the Bayerisches Staatsballett turn into big drama. But the company does not ignore the problems the ballet has
Shedding their very traditional image, the Royal Opera House has opened up unusual spaces and introduced new faces.
Worked for those in the audience who could climb inside his imagination and make their own story from what he was showing us.
Super entertainment. It’s effervescent, the music and dance infectious, the characters relatable to. A tour is surely only a matter of time.
Another evening of dance diversity: the stars shone brightly and the mystery guest made a dynamic appearance.
What a wonderfully beguiling Odile Martina Prefetto offered. Here was a real temptress, casting her spell, snaring her prey
Yu Kurihara’s Aurora is light, elegant and comes with a smile that lights up the whole theatre.
A brutal, brave exposure of something deeply personal. We experience it as story unfinished and too late to repair all the same.
Often humorous, the dances border on grotesque, as if begging [us]… to acknowledge that the overwhelming sweetness can quickly turn into horror