Latin flair: São Paulo Dance Company
All three pieces call for a great deal of ensemble work, executed with such control and precision that at times they seemed to be come a single entity.
All three pieces call for a great deal of ensemble work, executed with such control and precision that at times they seemed to be come a single entity.
A fine evening with plenty of variety; and one not dominated by nineteenth-century fireworks.
Snippets of signature works by other noted choreographers that have helped define the company, plus Montero’s own, new, Boîte-en-valise
The undoubted highlight of the evening was Robert Battle’s terrific solo, Takademe. Caspar Lench owned the stage…
An super evening with the high spots being the clownery and of Kylián’s Sechs Tänze and the classicism of Wheeldon’s Within the Golden Hour.
A programme that sees Birmingham Royal Ballet moving into the top league. Alessandra Ferri’s beauty permeates the stage like a heady perfume
A dance that doesn’t take itself too seriously, for much of the time at least. But, like the real world, darker things lurk beneath
Including Kenneth MacMillan’s Romeo and Juliet and Carlos Acosta’s Don Quixote
A programme, that is very much of today; classically rooted but with a distinct contemporary edge and energy grafted on
The Spanish choreographer and director of Nuremberg Ballet talks choreography and his forthcoming UK premiere with Birmingham Royal Ballet
Uwe Scholz, Jiri Kylian, Goyo Montero, plus the usual classics