Acosta Danza: A Decade in Motion
All seventeen dancers were outstanding throughout, never dropping their attention to detail, bringing intense emotion to their dancing.
All seventeen dancers were outstanding throughout, never dropping their attention to detail, bringing intense emotion to their dancing.
Montero’s final work for the Staatstheater Nürnberg Ballett, Malditos Benditos is a series of personal revisiting of some of the his most popular works
All three pieces call for a great deal of ensemble work, executed with such control and precision that at times they seemed to be come a single entity.
A fine evening with plenty of variety; and one not dominated by nineteenth-century fireworks.
Snippets of signature works by other noted choreographers that have helped define the company, plus Montero’s own, new, Boîte-en-valise
The undoubted highlight of the evening was Robert Battle’s terrific solo, Takademe. Caspar Lench owned the stage…
An super evening with the high spots being the clownery and of Kylián’s Sechs Tänze and the classicism of Wheeldon’s Within the Golden Hour.
A programme that sees Birmingham Royal Ballet moving into the top league. Alessandra Ferri’s beauty permeates the stage like a heady perfume
A dance that doesn’t take itself too seriously, for much of the time at least. But, like the real world, darker things lurk beneath
Including Kenneth MacMillan’s Romeo and Juliet and Carlos Acosta’s Don Quixote
A programme, that is very much of today; classically rooted but with a distinct contemporary edge and energy grafted on