A wintery delight: Scottish Ballet’s The Snow Queen
Christopher Hampson’s version of the Snow Queen for Scottish Ballet is like a breath of fresh air. A terrifically entertaining spectacle,
Christopher Hampson’s version of the Snow Queen for Scottish Ballet is like a breath of fresh air. A terrifically entertaining spectacle,
All three pieces show performers with ability and intent, but none of them offers a thread I can follow.
From theatrical storytelling, to an intimate duet built around physical touch, to an abstract collaboration between movement and installation
Even the afterlife offers no freedom, only a different choreography of obedience. In this Giselle, death is not release. It is relocation.
Some works appear fully formed, while others feel provisional, still in dialogue with larger ideas yet to come… energy emerges as a shared currency
In Interchange, Seirian Griffiths’ choreography of dance, gymnastics and more is totally absorbing… grace, fluidity and tremendous technical skill
Across the evening, each work investigates the combination of different art forms as a means of shaping a personal artistic language.
Sound repeatedly insists on being more than accompaniment. It presses into the choreography, shaping timing, attention and pressure on the body
A concert that mixed dance and music, the latter a little more to the fore… a largely successful and enjoyable programme.
A lot of fun: eighty minutes or so of physical theatre, tricks, impressive acrobatics… includes much of the humour, mischief and anarchy of the TV series
Audrey Nelson is a lovey Clara, capturing that well that moment in life when one is starting to edge into adulthood but still young enough to be childlike