Ballet National Folklorique du Luxembourg: The Great Chevalier
There is something wonderfully slippery about The Great Chevalier. At its centre is M. Chevalier, played with delicious comic authority by Louis Chevalier.
There is something wonderfully slippery about The Great Chevalier. At its centre is M. Chevalier, played with delicious comic authority by Louis Chevalier.
A riot of colour and sound from the first step to the last… sumptuous gaiety, romance and a great deal of fun… a score that seems to laugh from the pit.
Masui excels in crafting inventive and sharply controlled sequences in which physical precision and dramatic tension work together to powerful effect.
Three works, three very different strategies, one shared demand: look at the stage, look at the people on it, and do not blink
The evening comes most alive in works such as Flux by Katya Bourvis for Ballet d’Jèrri which shows how power can shift through the duet form itself
Following Vessel, In the Absence leaves the audience feeling oddly uplifted, sprinkling a little of its shine on us in these dark and dismal times.
Brings together surviving members of Bausch’s original 1978 cast, placing them against archive footage of their younger selves and those no longer alive.
Kenneth MacMillan’s ballet is built from fractured needs, twisted intimacies and bodies that say what the characters themselves cannot
The dancers use kinetic, fluid movement, which is deeply controlled, deliberate and strikingly graceful. Each coveys a sense of humility…
The choreographic mix, emerging dancers alongside dancing stars, is what makes Ballet Nights a unique experience… the dancing was an absolute joy
An excellent triple bill… a superb evening, one that showed, once again, that the NSCD is still at the top of the dance training tree