Top Hat
Yes, the story is ridiculous… But you still leave the theatre humming those tunes and wanting to see it all over again. Top Hat. Top show.
Yes, the story is ridiculous… But you still leave the theatre humming those tunes and wanting to see it all over again. Top Hat. Top show.
“…Resists easy categorisation. Neither performance nor talk, it functions as a self-portrait in transition, part experiment, part public reckoning.”
There is a lot of dancing but it does feel like one big number after another at times. And the choreography within them is very busy
A rather enjoyable, neatly choreographed, well-danced show… An animated party scene that brims with life, helped by a great deal of dancing
A wonderful two-and-a-half-hours; a masterpiece of character and storytelling… Great music, great dance… a lot of heart… A show you will not forget.
The ambitions of the creative team are unmistakable, and the sparks within these fragments may yet find a more cohesive form.
The dancing is terrific. Every single member of the cast bursts with energy and athleticism. Everything is so sharp, so precise, it takes your breath away
A ballet that wraps young and old alike in a warm, familiar fantasy, it’s a chance to snuggle down and forget the world outside for a couple of hours.
A very enjoyable evening’s entertainment; a good night out… a little rough around the edges maybe, but then the urban feel is part of the fun
Ballet Black have had a difficult year having to relocate to West London. It doesn’t show in performance, however.
At the curtain call, the audience greets Sir Peter Wright, his 99th birthday days away. Fiction and reality touch lightly. The ballet’s tradition no longer distant.