Ballet Nights 008
Nemesis is a real juicy nugget of a work, one that makes you want to see more of Ihsan Rustem’s choreography and Ballett Augsburg.
Nemesis is a real juicy nugget of a work, one that makes you want to see more of Ihsan Rustem’s choreography and Ballett Augsburg.
Not only a super demonstration of the range of his output, but the title encapsulates neatly his journey from classical ballet to musical theatre.
The Royal Ballet tops the shortlists with eleven nominations, followed by seven for English National Ballet
Watching new choreographers trying their hand… you realise what a supremely difficult art choreography is. But what joy when the elements align
World premieres by Wayne McGregor, Cathy Marston, Akram Khan, León-Lightfoot, and a first Royal Ballet presentation by NYCB’s Justin Peck
Anna Rose O’Sullivan stole the performance with depiction of a headstrong, intuitive, naïve, madly in love teenager
In Minotaur… choreographer Kim Brandstrup has all he needs in three remarkable dance artists and an eloquent dance language.
Marianela Nuñez’s several-years-later Act III pas de deux with Lukas Bjørneboe Brændsrød’s Prince Gremin was a thing of sublime beauty
Anna Rose O’Sullivan projected a gentle, modest, sweet Cinderella… her dance with the broom was wonderfully wistful and full of longing
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”