Compañía Jesús Carmona in El Salto
It perhaps isn’t surprising to see another show purporting to examine gender fluidity but El Salto could not be more different to ¡Viva!
It perhaps isn’t surprising to see another show purporting to examine gender fluidity but El Salto could not be more different to ¡Viva!
Fantastic dance but the music… so much more than accompaniment. It’s the source of everything. The emotional incentive, the rhythmical propeller
We had been promised something new and refreshing for this long-awaited Flamenco Festival, and in ¡Viva! we certainly got it.
Linbury Theatre, Royal Opera House, LondonJune 20, 2022 Maggie Foyer In an atmosphere of celebration, enthusiasm and commitment, the students of Rambert School took to the Linbury stage (as part of the Next Generation Festival) in a programme dedicated to Lord John Sainsbury who, with his wife Anya, has given such sterling support to the … Read more
In Grosse Fuge, the boldness of the performers, an equal gender balance in numbers and spirit, aligns perfectly with the power of Beethoven’s score
The company look in fine fettle. It was an evening that ran from emotionally intense and thoughtful to fizzling like the best English sparkling wine
Aggis is charismatic to the point of perplexing. Her spoken word shared a wide range of experiences and thoughts
The dramaturgy is excellent. If the success of a ballet is judged by how easy it is to follow without reading the synopsis, it is a winner.
Classical ballet dominates even more than usual, although this is likely a consequence of the unique circumstances of the year.
“Trying to expand the range of work, having a whole range of experiences that pushes the art form forward, I think is crucial to us going forward.”
The ensemble are terrific as they lead us into their dystopian world. There is some super imagery. But it is utterly perplexing