The 2022 Edinburgh Festival Fringe: looking back, looking forward
Some great shows, but visitors down. The soaring cost of accommodation, which has long been a problem but it is starting to get acute
Some great shows, but visitors down. The soaring cost of accommodation, which has long been a problem but it is starting to get acute
Spektakel is probably the sort of mad piece that most choreographers have in their heads but that few dare to put out there
In/Out of Bounds, a cross-cultural coming together of Indian and Chinese dance; and The Ticking Clock, a look at climate change
The non-professional cast may zip through everything in around an hour, but the show packs a lot in
The fully committed and invested dancers are terrific. The way the emotion and feeling comes through…is truly impressive
The words often spew forth in a torrent, the subjects varied, the delivery superb. And the dancing is pretty good too!
Runners is no ordinary circus show. It mostly takes place on a giant running machine, used in any number of inventive ways
The Receptionists It is all terribly inventive. Like the best comedy, it’s not only funny but has more than a grain of truth buried in there.
‘Are You Guilty’ by TOB Group, ‘End Without Days’ by Stephen Pelton Dance Theatre, ‘Antigone, Interrupted’ by Scottish Dance Theatre
Lea is honest, self-deprecating, and often very funny, but there are moments that are hugely poignant too
The Whisper of the Waves is very, very stylish and has a lovely pace and rhythm. It comes with depth and intensity