Dramatic and intense: Scottish Ballet’s The Crucible
The dramaturgy is excellent. If the success of a ballet is judged by how easy it is to follow without reading the synopsis, it is a winner.
The dramaturgy is excellent. If the success of a ballet is judged by how easy it is to follow without reading the synopsis, it is a winner.
Introduced by First Lady Jill Biden, and featuring digital premieres of works by Silas Farley, Helen Pickett, and James Whiteside
Six works including a new ensemble piece from Nicholas Shoesmith
Includes a new reimagining of MacMillan’s Mayerling
Never loses sight of the very real human cost at its centre