Birmingham Royal Ballet announces 2025-26 season and a centenary tribute to Sir Peter Wright
The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright
The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright
Anna Rose O’Sullivan projected a gentle, modest, sweet Cinderella… her dance with the broom was wonderfully wistful and full of longing
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
As he guests in Cape Town, Maggie Foyer speaks to Brandon Lawrence as he weighs up the pros and cons of making career defining choices
Fine, bright, happy dancing, great characterisations, Osbert Lancaster’s brilliantly sunny designs. Even a super-cute pony. A real heart-warming evening.
The third year’s classical work was Les Patineurs (1937), and then Pina Bausch’s Tannhăuser Bacchanal (1972), a fascinating piece of dance history
The standard was uniformly high although, as in the past couple of years, it was the men, who got two pieces all to themselves, who thrilled
The evening rounded off on a high with Rhapsody… Daichi Ikarashi did well, leaping and turning with aplomb
The dancers gave generously, obviously enjoying their first time at the Royal Opera House
If this Saturday matinée at a sold out Everyman Theatre in Cheltenham is anything to go by, BRB2 are well worth catching again
Hortense Millet-Maurin, a tiny spitfire of a dancer who has a deft touch with comedy and big eloquent eyes, was a witty Lise.