Resolution 26: Mia Segal, Greta Gauhe & Deborah Dimeglio, Hui-Hsin Lu
From theatrical storytelling, to an intimate duet built around physical touch, to an abstract collaboration between movement and installation
From theatrical storytelling, to an intimate duet built around physical touch, to an abstract collaboration between movement and installation
Even the afterlife offers no freedom, only a different choreography of obedience. In this Giselle, death is not release. It is relocation.
Some works appear fully formed, while others feel provisional, still in dialogue with larger ideas yet to come… energy emerges as a shared currency
In Interchange, Seirian Griffiths’ choreography of dance, gymnastics and more is totally absorbing… grace, fluidity and tremendous technical skill
Across the evening, each work investigates the combination of different art forms as a means of shaping a personal artistic language.
Sound repeatedly insists on being more than accompaniment. It presses into the choreography, shaping timing, attention and pressure on the body
This February and March, Michael Keegan-Dolan’s MÁM tours to nine venues. David Mead talks to the choreographer to talk about the work
It is still a lovely ballet with a warm child centred approach, designed with flair by Van Schayk.
A concert that mixed dance and music, the latter a little more to the fore… a largely successful and enjoyable programme.
A lot of fun: eighty minutes or so of physical theatre, tricks, impressive acrobatics… includes much of the humour, mischief and anarchy of the TV series
Audrey Nelson is a lovey Clara, capturing that well that moment in life when one is starting to edge into adulthood but still young enough to be childlike