TAI Body Theatre: Sym-Body
Can indigenous dance presented on stage ever be called ‘authentic’? A question posed by TAI Body Theatre’s Sym-Body
Can indigenous dance presented on stage ever be called ‘authentic’? A question posed by TAI Body Theatre’s Sym-Body
Could human dancers have a symbiotic, cybernetics-like relationship with machines, the outcome being a new form of contemporary dance?
It’s one of those very rare pieces that doesn’t just grow on you with repeated viewings but that seems to reveal more and spark new thoughts with each revisiting
Quite simply, a brilliant piece of theatre, one where the performers don’t move to music but dance the words, physically expressing them in every way
Dance, physical theatre and circus to the National Theater’s black box stage in three, very different, 30-minute works.
Presently being restaged as part of Cloud Gate’s 50th anniversary celebrations, it is ninety minutes of magnificent dance, and magnificent theatre
An artwork in themselves, visual artist reretan pavavaljung’s video projections would comfortably stand alone as an installation in a gallery
The circus merges seamlessly into the theatre and a work that has a deeply thoughtful, emotional core that pulls you in and never lets go.
A feverish, pulsating, visceral dance in which salsa, voguing, rave and clubbing run up against balletic moments and more
An explosion of strong and lively colours; a visually stunning production that leaves a lasting impression for audiences to take home and savour
A super production that fuses traditional Chinese opera with vivid digital multimedia design that brings the imaginary world to spectacular life