Breakin’ Convention 2026: Friction
Contemporary dance, krump, and street-based forms intersected and overlapped in an evening that reflected the diversity of hip hop today.
Contemporary dance, krump, and street-based forms intersected and overlapped in an evening that reflected the diversity of hip hop today.
“The programme did not take me anyway near heaven, but it presented a roster of very talented, young dancers”
The Juilliard School in New York and Rambert School in London, the wizardry of MAM + AISOMA and choreography by Wayne McGregor
A new work from Tsai Po-cheng (蔡博丞) that responds to the turmoil facing the world and the ‘net’ of politics, media, emotions and more that divide us.
A joyous evening of South African music, song and dance with Mthuthuzeli and Siphesihle November… A rare meeting of talents…
It takes place in an austere and dark enclosure… brings associations with a prison, and as the piece proceeds, perhaps the prison of a person’s life.
Four pieces by emerging choreographers selected from an open call alongside four by more experienced dance creators in an evening full of interest
A 67-year-old body doing a 65-minute solo is hardly a footnote. Lecavalier, though, has a nice way of dodging the heavy halo around it.
There is something wonderfully slippery about The Great Chevalier. At its centre is M. Chevalier, played with delicious comic authority by Louis Chevalier.
A riot of colour and sound from the first step to the last… sumptuous gaiety, romance and a great deal of fun… a score that seems to laugh from the pit.
Choreography by faculty members, a guest appearance by dancers of Sungkyunkwan University (Seoul), and a tribute to the late Tsai Li-hua, (蔡麗華)