Festival of Korean Dance 2026: 99 Art Company in Ekah & Abyss
Both sit in the territory of grief, ritual and remembrance… An evening that was certainly distinctive, occasionally compelling, but also frustratingly limited
Both sit in the territory of grief, ritual and remembrance… An evening that was certainly distinctive, occasionally compelling, but also frustratingly limited
Woking TheatreMay 6, 2026 Carlos Acosta’s Carmen has heat in flashes, but rarely enough pressure to make the evening catch fire. The problem is partly musical. The score suits each scene well enough, but the sections do not bite into one another. What should gather as fatal momentum often feels episodic. A tavern scene with … Read more
A solo work that traces Francis’ journey in dance, moving between performance and personal reflection.
Irresistible. The joke never feels thin, because the dancing underneath it is so alive. Technique is there, ego is there, bad behaviour is there
Contemporary dance, krump, and street-based forms intersected and overlapped in an evening that reflected the diversity of hip hop today.
The Juilliard School in New York and Rambert School in London, the wizardry of MAM + AISOMA and choreography by Wayne McGregor
A joyous evening of South African music, song and dance with Mthuthuzeli and Siphesihle November… A rare meeting of talents…
A 67-year-old body doing a 65-minute solo is hardly a footnote. Lecavalier, though, has a nice way of dodging the heavy halo around it.
There is something wonderfully slippery about The Great Chevalier. At its centre is M. Chevalier, played with delicious comic authority by Louis Chevalier.
A riot of colour and sound from the first step to the last… sumptuous gaiety, romance and a great deal of fun… a score that seems to laugh from the pit.
Masui excels in crafting inventive and sharply controlled sequences in which physical precision and dramatic tension work together to powerful effect.