Ockham’s Razor: Tess
The circus work is skilful. Joshua Fraser’s use of a cyr wheel to symbolise Alec’s immorality and avarice is effective and very well executed
The circus work is skilful. Joshua Fraser’s use of a cyr wheel to symbolise Alec’s immorality and avarice is effective and very well executed
The total commitment of the dancers produces a torrid intensity that sears across the footlights.
Proximity was highlight of the second half. Choreographed and performed by Pett|Clausen-Knight, it is a mature, sophisticated duet
A sort of Peking Opera meets Bollywood mish-mash, with a generous amount of Shakespeare at its roots
Beautifully re-mastered, Powell and Pressburger’s The Red Shoes has lost nothing of its power after 75 years. If anything it has gained it.
Bourne manages to pull off the tricky challenge of being faithful to the original while giving his production an inner life all of its own
A long-overdue look at an underrated and perhaps now largely forgotten principal dancer.
The exhibition… certainly whets the appetite for the forthcoming screening of the re-mastered film. What it lacks in quantity, it makes up for in quality
Although the scenario is rich with possibilities, director Stephane Mohr fails to exploit them. With Aurélia Thiérrée and Fukiko Takase
Hopes were up. ENB have been riding high of late, with particularly strong dancing from the men and exciting choices of programme.
The undoubted highlight of the evening was Robert Battle’s terrific solo, Takademe. Caspar Lench owned the stage…