Marianela Nuñez’s Giselle debut at the Paris Opera Ballet: a postscript
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
The evening rounded off on a high with Rhapsody… Daichi Ikarashi did well, leaping and turning with aplomb
The visits of Tiler Peck and Friends and Alvin Ailey American Dance Theater garner both two awards, with the De Valois lifetime award going to Ian Webb.
In the latest of our occasional series, Melissa Hamilton opens her dance locker, revealing a special moments and ballets from her career to date.
Like fine wine it’s enhanced with age, finding pole position as a heavyweight, dramatic ballet set to Joby Talbot’s music
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
A short evening with plenty of variety, as ten choreographers, mostly still dancers themselves, were given the space to experiment.
This triple bill of Danses Concertantes, Different Drummer and Requiem gives evidence of the breadth and depth of his creative talents
Swan Lake is the ballerina’s ballet and Nuñez was perfection from her first grand jeté to her final death plunge.
Shedding their very traditional image, the Royal Opera House has opened up unusual spaces and introduced new faces.
There is much to like, not least that all have an overt classical core… A big hurrah too for the fact that three of the pieces feature pointework…