Steps and words. Francesca Hayward and Alexander Campbell in The Limit
Kristen McNally’s light touch choreography fits perfectly. Nestling beautifully with the text, it’s sometimes playful, occasionally spiky, always colloquial.
Kristen McNally’s light touch choreography fits perfectly. Nestling beautifully with the text, it’s sometimes playful, occasionally spiky, always colloquial.
The Cellist: a fine piece of dance drama, and a fitting memoir of a brilliant and popular musician whose career and life were so tragically cut short.
You can’t deny it’s a crowd-pleaser. Sunny and warm, full of dancing bullfighters, gypsies and other locals, Don Quixote is real feelgood ballet
A new season mixing classical, neoclassical and contemporary dance, well-known works and new choreography gets off to a fine start
David Mead talks to the artistic director of Ballet Nights, a new season of dance this autumn at Lanterns Studio Theatre in London’s Canary Wharf
An evening that oozed warmth. Of the ten ballets and excerpts presented in this birthday celebration, Acosta appears in five.
Wayne McGregor’s new and elegantly clean ‘Untitled, 2023’, Christopher Wheeldon’s ‘Corybantic Games’, and Natalia Osipova as Anna Anderson
A great year for Scottish Ballet who were voted Outstanding Company, also picking up two awards for Jess & Morgs’ Coppélia
The Royal Ballet tops the short-list with 14 nominations. English National Ballet and Rambert have seven, and Birmingham Royal Ballet five.
Fifteen pieces, from familiar showpiece pas de deux to less well-known duets and solos… A celebratory showcase for all that is great about dance.
Mayerling in London and Paris. “Muntagirov is a rare Rudolph, one whose decline is as agonizingly real as it is exquisitely danced.”