Radical Classical with Gauthier Dance Juniors
A rollercoaster of sheer fun, erotic display and a quiet moment of reflection in a programme of seven pieces by seven choreographers all to classical music.
A rollercoaster of sheer fun, erotic display and a quiet moment of reflection in a programme of seven pieces by seven choreographers all to classical music.
David Mead talks with artistic director Joan Clévillé about the company’s continued success and plans for the year
The Ballet de Lorraine dancers were outstanding, performing with elan. They owned the stage, their ensemble work impressive.
Two works that, in different ways, speak about hope and togetherness that unfold as a conversation about what hope might mean, and what it takes for people to stand together.
The dancers were superb, their level of technique, dramatic interpretation, and musicality, a sheer joy to watch.
Onegin is always big drama – a tale in which the characters turn into human beings, real people who hit you viscerally with all their anguish and throes
“The dancers… are welcome in their physical presence, their serenity and physical control impressive.”
Kaho Yanagisawa gave Juliet youth and spontaneity, quickly maturing into a determined woman wanting to choose her life partner and follow her heart
It was a loud night. Not in decibels, but in the way each of the three short works occupied the act of looking.
In ballet, Jürgen Rose is noted for his work with John Cranko and John Neumeier in particular. Jeannette Andersen recently visited him to talk about his work.
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.