John Cranko: in Memoriam
A look at ‘John Cranko: Tanzvisionär’ a new book of interviews with people associated with Cranko; and the 2nd edition of Ashley Killar’s biography
Exploring a taboo: Forbidden by Aditi Mangaldas
Mangaldas commands the stage throughout. Forbidden is a journey, her journey based on personal emotions and experiences.
Divine. Pam Tanowitz and David Lang’s Song of Songs
Stripped of emotional content… her choreography is cool, refined and restrained. It’s also intensely beautiful.
Sound and movement: MOS by Ioanna Paraskevopoulou
They create their soundtrack using a variety of everyday objects and materials scattered around the stage that looks like a… children’s playground
The Royal Ballet: Don Quixote
You can’t deny it’s a crowd-pleaser. Sunny and warm, full of dancing bullfighters, gypsies and other locals, Don Quixote is real feelgood ballet
Lore by James Wilton Dance
There are lots of lifts and combinations. Unfortunately, they are repeated and repeated in sequences that themselves also become repetitive
Change Tempo (Su Pin-wen and Alexandre Fandard)
Su Pin-wen (蘇品文) and Alexandre Fandard are engaging performers with considerable stage presence. Yet both works, failed to deliver fully
Message in a Bottle, extraordinary and totally unforgettable
A complete unity, where everything is slotted-in and tied together so profoundly that it is hard to imagine them as separate entities
Reflecting on female sexual desire. Aditi Mangaldas talks about Forbidden
The noted Indian choreographer-dancer talks about her solo show, which considers to often taboo subject of female sexual desire
An evening of many moods and fine dance from Ailey 2
Pick of the evening was Robert Battle’s The Hunt. About the predatory side of human nature, it’s intense. Very intense.
Tavaziva Dance: Boy’s Khaya
Boy’s Khaya has dance, music and spoken text but the elements do not always find themselves on the same page.