Ballet Central
The company presented four works with a reconstruction of Frederick Ashton’s early Foyer de Danse that held the most interest.
The company presented four works with a reconstruction of Frederick Ashton’s early Foyer de Danse that held the most interest.
Marco Goecke’s Blushing is a perfect vehicle for the energy and commitment that the company has in spades.
There’s no overall plot. The focus is rather on creating a world, painting pictures, of time, place and people, all of which he does superbly
Riotous dance-acrobatics along-side a risque sketch of four Greek gods enjoying themselves… non-stop show that leaves you quite breathless.
A well-curated programme that showcased the dancers’ skills well, culminating in Jerome Robbins’ American classic, Interplay
A superb evening with many moments that were truly original, thought-provoking, challenging, educational, witty, entertaining and novel
In Pineda, Patricia Guerrero does an impressive job in giving body and soul to the character in what is a compelling flamenco ballet.
June 25 and 26 sees the first London edition of Gala de Danza. David Mead looks ahead to the event with founder and producer Christina Lyon
Nemesis is a real juicy nugget of a work, one that makes you want to see more of Ihsan Rustem’s choreography and Ballett Augsburg.
“Extremely hard-hitting and impactful dance-docu-drama… Everything about Detention works.”
There were some excellent and varied offerings from the dancers who, had they been wearing any, would have worked their socks off…