Kylián, Ek and Forsythe at the Royal Swedish Ballet
Forsythe’s In the Middle, Somewhat Elevated is a show stopper; choreography and music converging on the cusp of tradition redefining the arts
Forsythe’s In the Middle, Somewhat Elevated is a show stopper; choreography and music converging on the cusp of tradition redefining the arts
Ballet Black continues to lead the pack with two quality, new commissions, very different in style but balancing neatly.
A programme that sees Birmingham Royal Ballet moving into the top league. Alessandra Ferri’s beauty permeates the stage like a heady perfume
A knockout. The tempestuous dance, coming straight from the heart, makes the blood and sweat tangible.
Torsos ripple like waves and arms stretch with sinew-cracking intensity, the body language is guarded and the knot of tension…never fully releases
Scenes are variously dream-like, surreal, absurd and disturbing, but always beautiful and eye-catching
An original, beautifully judged, sometimes funny but sometimes deeply heartfelt show… It left me feeling quite warm inside.
Birmingham Royal Ballet and Rosie Kay Dance Company. Indie rock and ballet. In Brum. And it was absolutely riveting.
Takeshi Matsumoto’s interactive and immersive dance show for the under-5s and their grown-ups that puts the emphasis on creativity through play
The world of showbiz falls away and the dancers present the fragmented tales that lurk in Soho’s underbelly
With Momoko Horata and César Morales. BRB did the ballet proud, dancing finely and making the spine tingle in all the right places.