Still Pointless. BalletBoyz at 25
Still Pointless emphasises the ensemble. The one exception to that is exceptional and turns out to be the highlight of the show. Christopher Wheeldon’s Us…
Xie Xin (謝欣)
Balanchine and Morau, Preljocaj and Xie Xin: Hamburg Ballet’s Fast Forward
From George Balanchine’s Serenade to Xie Xin’s The Moon in the Ocean, via Marcos Morau’s Totentanz and Angelin Preljiocaj’s Annonciation.
Still Pointless: BalletBoyz at 25
What remains most impressive is the calibre of the dancers. They show athletic power, musical responsiveness, sharp ensemble work and superb technique
Grace and strength, and a troubled man: the BalletBoyz in Deluxe
Ripple is a beautiful, fluid work that remains true to its title. Full of grace and strength, it does indeed constantly reminds one of shifting water
Memories, energy, feelings. Shanghai-based Xie Xin on choreography, Ripple and the BalletBoyz
“I want the audience to see themselves. Sometimes memories hit us…creating ripples.” It’s the heart that makes a piece come alive, she adds.
BalletBoyz and Northern Ballet feature in BBC Arts’ Culture in Quarantine
Featuring the Boyz’ Deluxe programme and David Nixon’s Dracula
Sadler’s Wells dance performances and workshops on its digital stage during covid-19 cancellations
Digital premieres of live shows, screendance & workshops
Marvellous energy in an inextricable knit of bodies. Xie Xin’s Ripple in Deluxe by the BalletBoyz
Energy courses through bodies
