Tanztriennale: Counter Balance and a ballet-hip hop fusion
As Reiko Ohta and Jospeh Simon play with the attitudes and aesthetics of the two dance forms, Routines doesn’t just bring them together, it blends and fuses them.
As Reiko Ohta and Jospeh Simon play with the attitudes and aesthetics of the two dance forms, Routines doesn’t just bring them together, it blends and fuses them.
Act One is based on Carroll’s Alice in Wonderland, Act Two on Alice Through the Looking Glass. In a ballet of around two hours dancing, it’s a lot to pack in.
Closing the evening, Balanchine’s uplifting Theme and Variations looked in fine shape… a celebration of Russian classicism
An evening filled with heart, of classical excerpts and The Green Table. Carlos Acosta spoke warmly of Sir Peter, a man who did not just make ballets, but built worlds.
As they celebrate their 40th anniversary, Scottish Dance Theatre won Best Mid-Scale Company, while Scottish Ballet’s Mary, Queen of Scots picked up two awards
The Royal Ballet dancers looked terrific in both ballets, Salle de Danse in particular a super vehicle for their wonderful physicality.
As Ballet Black marks 25 years of pushing at barriers and making innovative new work, David Mead talks to founder and artistic director, Cassa Pancho
Making her debut as Lise, Mayara Magri was technically flawless. Her dancing was a thing of beauty, her partnership with Leo Dixon wonderfully assured
While interesting, and despite one striking solo for Ophelia, this is a Hamlet that only very occasionally gets close to the depth of the original
A look at six works in the Want to Dance Festival (艋舺國際舞蹈節節目表) Open Call Program, which takes place across multiple venues simultaneously
Contemporary dance, tango, circus, and butoh meets wrestling. All in the Curator Program at the 2026 Want to Dance Festival (艋舺國際舞蹈節節目表)