Four choreographers, four works: Gauthier Dance in Swan Lakes
An homage to the familiar ballet. But while each of the four works was inspired by the classic, each is decidedly contemporary and different.
An homage to the familiar ballet. But while each of the four works was inspired by the classic, each is decidedly contemporary and different.
By Edward Clug, with sets and costumes by the acclaimed Jürgen Rose. And it’s the 85-year-old Rose’s designs that stick most in the memory
Bridget Briner’s complex, impressive version that relocates the story and tells it from the perspective of Livia, one of Cinderella’s stepsisters
Modern yes, but still a ballet driven by emotions and imperfect people…and that in Act II especially, touches in all the right places
Outstandingly performed, sadness and melancholy pervades in Pérez’s intense, magnetic work that puts a new face on Shakespeare’s drama.
Complex and a real puzzle, for a while, Spuck’s ballet is very disorienting although it does become increasingly clear as the familiar starts to emerge
The setting may be updated but this is very much a Giselle still full of powerful feelings that reach out and touch
The quality and physicality of the dancing could not be faulted. The togetherness in unison moments was exceptional.
The refurbishment hasn’t just freshened the ballet up, it’s completely reinvigorated it… The perfect pre-festive treat for old and young alike
A look at the scene as it is through the eyes of the dancers past and present, while glancing back at some of the history of ballet on the island