English National Ballet School’s Summer Performance
In Frederick Ashton’s Rhapsody, Rin Ishikawa’s speed, focus and attack were phenomenal.
In Frederick Ashton’s Rhapsody, Rin Ishikawa’s speed, focus and attack were phenomenal.
Linbury Theatre, Royal Opera House, LondonJune 20, 2022 Maggie Foyer In an atmosphere of celebration, enthusiasm and commitment, the students of Rambert School took to the Linbury stage (as part of the Next Generation Festival) in a programme dedicated to Lord John Sainsbury who, with his wife Anya, has given such sterling support to the … Read more
In Grosse Fuge, the boldness of the performers, an equal gender balance in numbers and spirit, aligns perfectly with the power of Beethoven’s score
An extraordinary work that strips all external decoration and detail to find a precious kernel that is terrifying in its purity
The new storyline works well for this shorter version of under two hours but Rojo tries to fit in far too much at the expense of phrasing and structure
“A standout in its very distinctive strangeness… a delicious mix of outrageous comedy with some very neat choreography snuck in between”
The USA born dancer gave an outstanding performance, delivered with the presence of a true danseur noble
An evening of goodwill and youthful enthusiasm bringing together six of Britain’s top dance schools to show support for Ukraine
Anthony and Kel Matsena take considerable risks as the work follows a maverick path… It is daring, bold and essential viewing.
Marcos Moreau gazes deep into a terrifying world but the anarchy of Pasionaria is so compelling, the detail so intelligent, that it totally captivates
An amazing experience. The audacity and scope of Li’s vision coupled with the visual creations of director Vincent Chazal are breath-taking