The Royal Swedish Ballet in Tamara Rojo’s Cinderella
The new storyline works well for this shorter version of under two hours but Rojo tries to fit in far too much at the expense of phrasing and structure
Tamara Rojo
Fine pictures and outstanding dance, but where is the drama? English National Ballet’s new Raymonda
It’s full of very appealing pictures but is in many ways an old-fashioned ballet in that most of the dance is incidental rather than integral to the story
Tamara Rojo to leave ENB for San Francisco Ballet
Tamara Rojo to join San Francisco Ballet, where she will be its first new artistic director in nearly four decades and first woman to lead the company
English National Ballet announces plans for 2021-2022 season
Includes premieres of Raymonda and Creature
English National Ballet moves to video-on-demand for the autumn
Plus details of promotions and leavers
Tamara Rojo to choreograph and direct a new Raymonda for English National Ballet’s 2020-21 season
Plus a Forsythe triple-bill, Akram Khan and more