Mthuthuzeli November: making ballet with humanity
Ahead of the premieres of his new works for Ballett Zürich and The Royal Ballet, Maggie Foyer looks at the work of the South African choreographer.
Ahead of the premieres of his new works for Ballett Zürich and The Royal Ballet, Maggie Foyer looks at the work of the South African choreographer.
José Martínez has given the ballet a make-over. With the important dance intact but the libretto trimmed, it is destined to become a new favourite.
The warmth of the dance came at a good time to counter a damp and increasingly dark London
Boy’s Khaya has dance, music and spoken text but the elements do not always find themselves on the same page.
The energy and courage of the dancers is a joy to watch and director David Halberg has a company to be proud of
An exciting evening for the English National Ballet School… back on track as a quality professional ballet school after a couple of difficult years.
We see young dancers testing their technical skills, testing the waters in emotional encounters… A joy to watch.
Opera House, StockholmMay 26, 2023 Kenneth MacMillan’s Manon created in 1974, continues to weave its magic providing a slew of dramatic roles against a volatile and violent backdrop. The Royal Swedish Ballet, founded in 1773 and celebrating its 250th anniversary this year, first presented the ballet in 1980. It makes a welcome return. The central … Read more
Damien Jalet’s vision of dance is borderless, and he seems the right man to place dance on a slippery slope and stimulate questions
Isabela Coracy, as Nina Simone, dressed in a gown of African print holds centre stage playing the dynamics with commanding presence
The third programme in this Festival of Korean Dance delivered… skilled craft, intellectual rigour and something distinctive and unusual