Classicism to the fore at the John Cranko School Matinée
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.
With all ticket proceeds from which go to the charity, this year’s edition of established favourites and new work was a festive feast of fine dance
A fine showcase of young talent including Heinz Bosl Prize winner Serhii Zharikov with Kaela Tapper in Uwe Scholz’s sublime Sonata
A look at ‘John Cranko: Tanzvisionär’ a new book of interviews with people associated with Cranko; and the 2nd edition of Ashley Killar’s biography
Absolutely and unashamedly classically-focused. Even the student choreography. The contemporary pieces were clearly classically underwritten too
A fine programme that reflected well the dancers’ classical training, and the School and Stuttgart Ballet heritage
The first purpose designed and built ballet school in Germany
A fine celebration of the school, and of the talent of its dancers
22 dances in a fabulous celebration evening
It was easy to forget the dancers were students