It’s full of very appealing pictures but is in many ways an old-fashioned ballet in that most of the dance is incidental rather than integral to the story
Tamara Rojo to join San Francisco Ballet, where she will be its first new artistic director in nearly four decades and first woman to lead the company
Erina Takahashi and Francesco Gabriele Frola were an elegant pair in the big Act II pas de deux, where the ballet truly burst into glittering life
Pathetic one minute, powerful and determined the next, his Creature is a tortured soul, but one still with feelings
An evening to celebrate: the traditions of classicism driven forward by innovation, and free to watch on demand
Würtz is the first contemporary dancer to win Best Female Dancer. Elsewhere, Cathy Marston’s The Cellist picked up three prizes
A little early maybe, but ENB’s Solstice at the Southbank proved a delicious smorgasbord of dance
From Yuri Possokhov’s Senseless Kindness to Arielle Smith’s Jolly Folly, the five works all transfer well from film to stage, giving some in particular the chance to truly breathe
A new choreography project and a return to live performance
Drawn from a remarkable 456 artists and companies suggested
Includes premieres of Raymonda and Creature