London City Ballet in Rebirth: Page, Robbins, Chu, Ratmansky
The company just gets better and better. The eleven dancers were outstanding in their grace, fluidity, musicality and interpretation
The company just gets better and better. The eleven dancers were outstanding in their grace, fluidity, musicality and interpretation
‘Crash: reassembled’ by Astrid Boons, a reworking of her 2020 piece, and ‘IT’S NIGHT AGAIN’, a new work by Italian choreographer duo Panzetti/Ticconi
The six works on this year’s tour certainly live up the requirement to be “original, imaginative, unique and… display unusual achievement.”
The ACE dancers are outstanding in both works. Their finesse, precision, interpretation, technique, and sheer danceability, are amongst the best…
Leïla Ka’s choreography is sharply incisive and precise, requires great core strength and physicality, but also leaves plenty of space for vulnerability
“A triple-bill that’s classy and classic… Perspectives really is a cracking evening. Maybe too much of a good thing is sometimes not a bad thing at all.”
Eyal’s Into the Hairy for her company, S-E-D, depicts a strange world, one whose inhabitants are disconcertingly humanoid, but not quite human
The autumn matinee of the Ballett-Akademie der Hochschule für Musik und Theater München (Akademie) and Bayerisches Junior Ballett München (BJBM)
High-tech projectors pulse like a digital nervous system. This is choreographer Wayne McGregor’s rabbit hole, his twenty-first-century Alice in Wonderland.
A super programme, the highlight being the return of Jo Strømgren’s The Exhibition, a tale of the accidental meeting of two people in a gallery
The programme promises ‘dance theatre.’ What unfolds is closer to an ecological fever dream.