National Youth Dance Company: Memory Keepers
A wonderfully inventive piece of dance theatre, and one of the most creatively choreographed works I have seen in a long time
A wonderfully inventive piece of dance theatre, and one of the most creatively choreographed works I have seen in a long time
While interesting, and despite one striking solo for Ophelia, this is a Hamlet that only very occasionally gets close to the depth of the original
What remains most impressive is the calibre of the dancers. They show athletic power, musical responsiveness, sharp ensemble work and superb technique
Irresistible. The joke never feels thin, because the dancing underneath it is so alive. Technique is there, ego is there, bad behaviour is there
A riot of colour and sound from the first step to the last… sumptuous gaiety, romance and a great deal of fun… a score that seems to laugh from the pit.
The tap does not sit apart from the other styles; rather, it seems to emerge from within them
Brings together surviving members of Bausch’s original 1978 cast, placing them against archive footage of their younger selves and those no longer alive.
The dancers use kinetic, fluid movement, which is deeply controlled, deliberate and strikingly graceful. Each coveys a sense of humility…
Pite’s Body and Soul (Part 1) demonstrates all the depth and subtlety which we have come to expect from this most exciting of choreographers
A cornucopia of amazing dance on an evening that just kept giving. Peck is a force of nature who never losers her high-octane energy
The dancers were superb, their level of technique, dramatic interpretation, and musicality, a sheer joy to watch.