Tense and compelling, brave and innovative: Scottish Ballet in The Crucible
Never loses sight of the very real human cost at its centre
Reviews
The John Cranko School summer performance celebrates Uwe Scholz
A fine celebration of the school, and of the talent of its dancers
Politics, broken promises, and hope: Via Kanana by Gregory Maqoma and Via Katlehong
Anger, frustration and hope
The Bauhaus and Weimar Republic revisited in Stuttgart Ballet’s Break-through
Full of links to the Bauhaus and birth of the Weimar Republic
