Emotions in full flow: Henrik Erikson and Mackenzie Brown in Stuttgart Ballet’s Romeo and Juliet
Mackenzie Brown and Henrik Erikson delivered in spades. Brown’s Juliet seemed to surf the waves of emotion that were flooding through her body
Mackenzie Brown and Henrik Erikson delivered in spades. Brown’s Juliet seemed to surf the waves of emotion that were flooding through her body
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.
In theatres, performance spaces, public squares and schools, with everything geared towards a young audience
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
Perhaps it’s best not to overthink it and rather just sit back and enjoy the fine dancing and the many nuances in the work’s sometimes strange imagery
It may be abstract in the sense of being non-narrative… but Dawson’s choreography and the company’s dancing reached inside and touched the soul
The varied programme of mostly excerpts from longer pieces delighted the enthusiastic audience on a summery Sunday evening
This performance of Patrice Bart’s Giselle was special in that it saw Ksenia Ovsyanick dance the lead role for the last time
The three pieces are about the death of woman, the extinction of a whole society and a world in which people seem closed in on themselves
A well-balanced programme of quality dance – the visit of 92-year-old Hans van Manen and a rapturously received premiere from Mthuthuzeli November
The nine performers were absolutely fabulous. They were in complete command of every physical expression