Tussock Dance Theater: Eclipse by Wu Chien-wei
As music and dance intertwine, each it seems feeding off the other, feelings and emotions are writ large. Everything is given time to play out.
As music and dance intertwine, each it seems feeding off the other, feelings and emotions are writ large. Everything is given time to play out.
In South, Toru Shimazaki draws on elements of aboriginal dance and music, giving them a contemporary sentiment, but never loses sight of their soul.
If Maguy Marin has a signature work, May B. is surely it. Ahead of its coming to London, the choreographer Marin tells David Mead about the piece.
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
The evening of largely student work consisted entirely of ensemble creations with lots of excellent committed dancing
A conversation with artistic director Marlon D. Simms about the company, and what Let’s Dance International Frontiers audiences can expect
The ensemble sing as they dance. It’s a choir of voices that really is rather moving. It’s a hot iron that forges tribal strength and unity
Six works by students alongside Self-Portrait by Hung Tsai-hsi and Hofesh Shechter’s powerful In Your Rooms. The dancing was top drawer
Could human dancers have a symbiotic, cybernetics-like relationship with machines, the outcome being a new form of contemporary dance?
It’s one of those very rare pieces that doesn’t just grow on you with repeated viewings but that seems to reveal more and spark new thoughts with each revisiting
Super entertainment. It’s effervescent, the music and dance infectious, the characters relatable to. A tour is surely only a matter of time.