Dancing, retirement and being a mother: a conversation with Nao Sakuma
Her preference is for classical ballet. “I’m not really good at contemporary things.”
Swan Lake
On Swan Lake and being a mother: a conversation with Irina Kolesnikova
“London is without doubt my very favourite city”
Christopher Gable’s Cinderella highlights Ballet Central
With Gable’s Cinderella, the memories flooded back
A new home for the new season: English National Ballet 2018-19
Manon returns and a new Cinderella in-the-round
Dark and disturbed: Michael Keegan-Dolan’s Swan Lake/Loch na hEala
A gritty retelling that sees Odette as sexually abused by a priest
A summer evening in the park with The Royal Ballet School
MacMillan’s Concerto: utterly beguiling and quite spine-tingling
Krzysztof Pastor’s new Swan Lake for Polish National Ballet is a tour de force
The rewritten story is both radical and traditional in an intriguing new mix.
The Royal Swedish Ballet in Pär Isberg’s The Dream of Swan Lake
A seriously good evening of ballet with a contemporary resonance
Behind the Scenes: English National Ballet’s Music Director, Gavin Sutherland
His lifelong passion for ballet and its music shines through
Old favourites, new challenges: Russian Ballet Icons Gala
A tribute to Diaghilev that looked backward, showcased the contemporary and offered something new