Sadler’s Wells 17 - SeeingDance

Tuesday, 23 June, 2026

Carlos Acosta announces plans for Birmingham Royal Ballet 2020-21

June 23, 2026February 7, 2020 by David Mead

Uwe Scholz, Jiri Kylian, Goyo Montero, plus the usual classics

An alternative and very poignant Christmas story: Arthur Pita’s The Little Match Girl

June 23, 2026December 19, 2019 by David Mead

A beautiful reimagining

Torn between two loves: Matthew Bourne’s The Red Shoes

June 23, 2026December 16, 2019 by David Mead

Ashley Shaw is an effortless Victoria Page

China National Peking Opera Gala

June 23, 2026December 2, 2019 by Charlotte Kasner

A superb taster for the art form

Rambert meets Cunningham in Rambert Event

June 23, 2026November 10, 2019 by David Mead

A true class act

Rambert2 shows the energy of youth

June 23, 2026November 6, 2019 by David Mead

Andrea Miller’s Sama: dance off the Richter scale

Out for revenge: Dada Masilo’s Giselle

June 23, 2026October 7, 2019 by David Mead

This Giselle does not forgive

Captivating: Ballet Preljocaj in La Fresque

June 23, 2026October 5, 2019 by David Mead

A journey into a parallel world

Big, bold, tender: English National Ballet in Akram Khan’s Giselle

June 23, 2026September 19, 2019 by David Mead

Huge broad sweeps of the choreographic brush

Bleak, disturbed, troubled: Matthew Bourne’s Romeo and Juliet

June 23, 2026August 26, 2019 by David Mead

A dance full of darkness

A season of FranceDance, coming this autumn

July 17, 2019 by David Mead

A season of the best French contemporary dance