The Royal Ballet School Summer Performance
Overall, the modern pieces showcased the dancers’ skill, technique and emotional engagement somewhat better than the classical ones.
Overall, the modern pieces showcased the dancers’ skill, technique and emotional engagement somewhat better than the classical ones.
An super evening with the high spots being the clownery and of Kylián’s Sechs Tänze and the classicism of Wheeldon’s Within the Golden Hour.
If you wanted to dive into the dark and ugly moments of life and dreams through grotesque movements, it proved the perfect evening
A wonderfully varied evening…quite outstanding dancing, rounded off with the fireworks of Uwe Scholz’s The Seventh Symphony
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work
Includes the UK premiere of Uwe Scholz’s best creations, his dramatic setting of Beethoven’s vibrant Seventh Symphony alongside world premieres and revivals
Forsythe’s In the Middle, Somewhat Elevated is a show stopper; choreography and music converging on the cusp of tradition redefining the arts
Jiří Kylián’s 27’52” and Marco Goecke’s new The Big Crying
Falling Angels, Petite Mort and Le Jeune Homme et la Mort
Uwe Scholz, Jiri Kylian, Goyo Montero, plus the usual classics