Staatsballett Berlin: Gods and Dogs, Angels’ Atlas
The Staatsballett Berlin dancers were beautifully precise and neat in all the complex combinations, the movement looking fresh and innovative
Jiří Kylián
The Royal Ballet School Summer Performance
Overall, the modern pieces showcased the dancers’ skill, technique and emotional engagement somewhat better than the classical ones.
Next Generation Festival: The Royal Ballet School
An super evening with the high spots being the clownery and of Kylián’s Sechs Tänze and the classicism of Wheeldon’s Within the Golden Hour.
A richly detailed evening with Nederlands Dans Theater
If you wanted to dive into the dark and ugly moments of life and dreams through grotesque movements, it proved the perfect evening
A triple bill to thrill: Birmingham Royal Ballet’s Into the Music
A wonderfully varied evening…quite outstanding dancing, rounded off with the fireworks of Uwe Scholz’s The Seventh Symphony
A picture of people who breathe and feel, suffer and love: Jiří Kylián’s Forgotten Land comes to Birmingham Royal Ballet
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work
Birmingham Royal Ballet 2022-2023 plans
Includes the UK premiere of Uwe Scholz’s best creations, his dramatic setting of Beethoven’s vibrant Seventh Symphony alongside world premieres and revivals
Kylián, Ek and Forsythe at the Royal Swedish Ballet
Forsythe’s In the Middle, Somewhat Elevated is a show stopper; choreography and music converging on the cusp of tradition redefining the arts
NDT2: Kylian and Goecke, Souls made apparent
Jiří Kylián’s 27’52” and Marco Goecke’s new The Big Crying
Kylián and Petit: Stuttgart Ballet in Angels and Demons
Falling Angels, Petite Mort and Le Jeune Homme et la Mort
