Ballet Nights New Year’s Day Concert
A concert that mixed dance and music, the latter a little more to the fore… a largely successful and enjoyable programme.
Circa: Shaun the Sheep’s Circus Show
A lot of fun: eighty minutes or so of physical theatre, tricks, impressive acrobatics… includes much of the humour, mischief and anarchy of the TV series
New English Ballet Theatre: The Nutcracker
Audrey Nelson is a lovey Clara, capturing that well that moment in life when one is starting to edge into adulthood but still young enough to be childlike
The Magic Flute by Luca Silvestrini’s Protein
There is a good amount of dancing, which is pretty, well-executed and, very importantly, appeals to its audience.
English National Ballet’s Nutcracker: a box of confectionary delights
It does look absolutely terrific. It brims with colour and life at every turn. There’s a light touch to the story and dance… Easy on the eye couple of hours.
Staging Béjart’s iconic Bolero
Ahead of performances by the Bayerisches Staatsballett in Munich, Piotr Nardelli talks about staging the work, and why it is still such a success.
Top Hat
Yes, the story is ridiculous… But you still leave the theatre humming those tunes and wanting to see it all over again. Top Hat. Top show.
An Evening with Matthew Ball
“…Resists easy categorisation. Neither performance nor talk, it functions as a self-portrait in transition, part experiment, part public reckoning.”
L’Animale by Chiara Bersani
Curiosity and awe arise while observing this being who appears to be suffering in its own stillness, struggling to get out from an invisible restriction
Ballett Zürich: Oiseaux Rebelles
In Mats Ek’s ballet, Nancy Osbaldeston… was a zesty Carmen. She insists on her freedom, seeing herself as equal with the men
Matthew Bourne’s The Red Shoes
There is a lot of dancing but it does feel like one big number after another at times. And the choreography within them is very busy