Kontakthof – Echoes of ’78
Brings together surviving members of Bausch’s original 1978 cast, placing them against archive footage of their younger selves and those no longer alive.
Brings together surviving members of Bausch’s original 1978 cast, placing them against archive footage of their younger selves and those no longer alive.
Kenneth MacMillan’s ballet is built from fractured needs, twisted intimacies and bodies that say what the characters themselves cannot
The dancers use kinetic, fluid movement, which is deeply controlled, deliberate and strikingly graceful. Each coveys a sense of humility…
The choreographic mix, emerging dancers alongside dancing stars, is what makes Ballet Nights a unique experience… the dancing was an absolute joy
An excellent triple bill… a superb evening, one that showed, once again, that the NSCD is still at the top of the dance training tree
Pite’s Body and Soul (Part 1) demonstrates all the depth and subtlety which we have come to expect from this most exciting of choreographers
A cornucopia of amazing dance on an evening that just kept giving. Peck is a force of nature who never losers her high-octane energy
The highlight was undoubtedly the excerpt from Wayne McGregor’s Entity… The Elmhurst graduates gave it their all, and the result was electric.
A particular kind of relationship stands at the centre of the work… a pattern in which a man observes, handles and directs a woman’s body.
The Ballet de Lorraine dancers were outstanding, performing with elan. They owned the stage, their ensemble work impressive.
Two works that, in different ways, speak about hope and togetherness that unfold as a conversation about what hope might mean, and what it takes for people to stand together.