Birmingham Royal Ballet: The Sleeping Beauty
Yu Kurihara’s Aurora is light, elegant and comes with a smile that lights up the whole theatre.
Reviews
Nikki Rummer in Unbroken
A brutal, brave exposure of something deeply personal. We experience it as story unfinished and too late to repair all the same.
Tanztheater Wuppertal Pina Bausch: Nelken
Often humorous, the dances border on grotesque, as if begging [us]… to acknowledge that the overwhelming sweetness can quickly turn into horror
A box of delights: New Works at The Royal Ballet
There is much to like, not least that all have an overt classical core… A big hurrah too for the fact that three of the pieces feature pointework…
Singapore’s T.H.E Dance Company in a triple bill of short works
In Un-form, all three dancers are quite compelling, their dance amazingly detailed, superbly performed and clearly with great personal meaning
Latin flair: São Paulo Dance Company
All three pieces call for a great deal of ensemble work, executed with such control and precision that at times they seemed to be come a single entity.
Matthew Bourne’s Edward Scissorhands
The fabulous cast are on a par with any West End musical as they give everything, dancing and projecting character for all they are worth
Ockham’s Razor: Tess
The circus work is skilful. Joshua Fraser’s use of a cyr wheel to symbolise Alec’s immorality and avarice is effective and very well executed
Alina Cojocaru presents La Strada
La Strada really lights up when Kobborg and Cojocaru come together. She doesn’t just smile her way through their duet, she radiates happiness
Flaubert’s Madame Bovary comes to rich balletic life at the Staatsballett Berlin
The bored middle-class housewife is raised to literary heights by the novel’s rich romantic language and Spuck follows suit in high choreographic art
Extended Play: How to Build a Universe
The work flips easily between physical theatre and playful contemporary dance, at its best in unison sequences that are invariably tightly performed