Taiwan Season at the Edinburgh Festival Fringe: Touchdown by Incandescence Dance
A fascinating, absorbing 30-minute science meets art solo
A fascinating, absorbing 30-minute science meets art solo
A handsome film towards the ‘screendance’ end of the spectrum in which past meets present, traditional meets modern
A largely light-hearted and quirky look at contemporary Paiwan life, although it does have its deeper, more thoughtful moments
“I defy anyone to come out of the theatre not smiling and feeling full of joy; and probably humming the glorious music too”
A dance that doesn’t take itself too seriously, for much of the time at least. But, like the real world, darker things lurk beneath
It’s a courageous film, one that presents a very honest, warts and all view of its subject: darkness as well as light, black swan as well as white swan
A fine afternoon’s dancing, this year mostly by the Upper School, highlighted by Elite Syncopations
With Circolombia, it’s the acrobatics that provide all the highlights. Much of it is aerial, which means a grandstand view for all.
The highlight was a superb performance of the Act II of Matthew Bourne’s ‘romantic wee ballet’, Highland Fling
The partner work is as fabulous as you would expect with some great ‘human constructions’ and striking images
A superb film that captures completely the spirit of the original, albeit with a slightly quieter, more reflective feel.