The story of an ‘everyday ballerina’: Being a Ballerina by Gavin Larsen
Larsen doesn’t sprinkle her story with sugar or fairy dust. This is ballet as it is; as it really is. I’m not sure I’ve read another book about dance like it.
Larsen doesn’t sprinkle her story with sugar or fairy dust. This is ballet as it is; as it really is. I’m not sure I’ve read another book about dance like it.
A deeper, slightly darker look at what is usually a pretty lightweight ballet. A fine production full of energy and brilliant designs
No flocks of white swans and definitely no tutus as Hofesh Shechter, Cayetano Soto and Marco Goecke look at the classic in their own unique style
A show driven by the raw emotion of recent experiences but with an upliftng end. Kevin Finnan promises audiences will relate to what they see and be moved by it
It’s combination of contemporary and traditional; of history, music and movement; is unexpectedly compelling.
A look at transculturation, Pán is superbly danced. The performers come together in a delicious whole
In her dance, Ruby Chang talks to herself, questions herself. Is there one ‘woman’ or lots of ‘women’? And, where, what, who is she?
The ‘spaces’ of the title has a double meaning, however. Suggestions of love and the difficulties of reconnecting are never far away
There are just so many holes in the traditional story. I think there’s so much more that can be done with it. I’m very attracted to the darker side of it.
Björn and Tammisalo have you in the palm of their hands. Every look, facial contortion and raised eyebrow says so much
Internal, spiritual, sensual; a beautiful and mesmeric work of light and dark, or movement and stillness